Saturday, 17 November 2012

Outside the Jomtien Hostel

We were sitting around the table, on the quasi-Apocalyptic alley of Soi Saritas, the Gay and Catholic ghetto of dirty, lusty Jomtien. The road was a long, thin cracked cement carpet. The tall, four-storied buildings on both sides, with their monumental arcades for fronts, were impossibly long and continued for a good 800 metres down to the absolute darkness of the sea. Zebra stripes of damp and dirt streaked these once-white walls. Creeping plants crawled up the pillars, while others drooped from balconies or, sprouting from the ground, had claimed and consumed the last vestige of a sidewalk.

It was seven or eight, but the night had settled already. The place was lit by huge floodlights, like a prison yard, throwing fantastical shadows all about this scene. The atmosphere was still and sultry: a storm had been announced and it was not far off.

Up the road, and half sunk in shadows, a dog was tearing at a carcass. Yellow skin flapped from the arced bones of a large rib-cage.

In our group, around the bottle of Thai whiskey, there was the little, drunken, heavily tatooed Cambodjan; an old, skinny man, completely naked but for his tight yellow briefs and pink rubber shoes; the fat little baby and his orcish keeper; the ladyboy, her face as flat as a frying pan, her fake hair hanging dead and long almost down to her feet; and the hostel's receptionist, Joe, with a thin scar running from his eye to his lips and his hair ends dyed yellow. He is our most reliable source of alcohol, followed closely by the flirtatious sexagenarian down the road.

In the baby's large black eyes, there was as much intelligence as you may hope to find in a shell-shocked sheep. The ladyboy hangs around my hostel when I'm in and won't leave until I do, and she follows at my heels, catcalling in her ugly, husky voice: "I like you, Spaaaain. I miss you, Spaaaain." She has done this since my very first visit into town and whenever I come back, she knows exactly where I was and how long I was there for.

A lady walks by and picks up the plump baby. He stares at his mother with as much recognition as a goldfish would look up at its feeder. She sizes me up in an obvious once-over and asks Joe something. He waves her away with distaste, sees my questioning glance and explains:

"She is a bitch!" He flourishes his long hand as he speaks, twirling and flapping it around. "Her husband is working far away in Saudi Arabia, for long long time and he send money every month. But now she has this baby - after he left, and she not tell him." As he gets excited, his voice started rising to a high, thin pitch. "Husband been away very very long time. So what you think? Husband can send sperm by SMS or what?" His laughter here went so high it scraped his throat and turned, mid-act, into a gasp for air. "So what she do? She come to this town of course, because in this town everybody's looking for a Farang. She cannot stay in village. They know what she did. But she needs to find new man, quickly, before other one finds out."

You wouldn't believe me, but I've heard this story a number of times before, give or take a detail or two. It seems to be the story of every single girl in town - and even of most girls who aren't particularly single anymore. 

Saturday, 10 November 2012

Zero is a local bamboo tattoo artist. He has a dog, a hammock, a chopper and a cowboy hat. His shop is across the street from where I live. We took our seats at his bar. A few days back he'd explained to me the reason he'd opened the bar in his shop. 

"My friends come to island, to my shop, and say, Zero, come for beer. And then I'd have to close for the day. Bad for business. So I open bar. My friends come to island, to the shop, I sell them beer, I drink with them, and I can always keep on working while I'm drinking and after I'm drunk."

He poured me my drink as I sketched out a design to him.

"So like a ship's eye in the middle, see, circled by two Naga snakes - like this, their tails cross at the top, their bodies cross at the bottom, their heads hold up the eye's corners. See? What do you think?" He looked at it and squinted, and looked at me - he tried to understand whether I was tasteless, stupid or drunk. Finally, he shook his head vigorously and said:

"Mai dee. No good. This is not good tattoo. Do not do this. Please!" 

I should probably have bought him a couple of beers first - but then, the trail's always easy to see when you're looking back.

Friday, 2 November 2012

I was given a short tour of the bar.
"That's the fridge, these are the glasses. This is the paper and that is the pen."
"And that?" I pointed under the bar - it was a barrel, but not the kind you'd keep your drinks in. The mouth faced me, in that freezing black.
"Just in case," Mr. Lee said.
It had written on its side
DESERT EAGLE
ISRAELI MILITARY INDUSTRIES (LTD)
I'd never worked a bar with its own gun before.
When Mr. Lee left me alone, I checked to see if nobody was looking and pushed the barrel to the side.
Just in case.

--//--

Later, one of the Germans called me. With an oxidised moustache and a long, greasy pony tail he looked like the construction worker in a cheap movie (let's keep it PG, guys).
"Can I have a Cuba Libre?"  He asked. "But a little more Cuba, and a little less Libre."
Is it too hard to imagine a Cuba less Libre? Still, it's a beautiful country.